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Juliana Hall
Juliana has been hailed as “one of our country’s most able and prolific art song composers” (NATS Journal of Singing), whose more than 60 song cycles and works of vocal chamber music have been described as “brilliant” (Washington Post), “beguiling” (Times of London), and “the most genuinely moving music of the afternoon” (Boston Globe). Her music has been heard across America and in dozens of countries around the globe, including performances at Carnegie Hall’s Weill Recital Hall, Holywell Music Room in Oxford, the Library of Congress, Ordway Theater, and London’s Wigmore Hall, as well as the London Festival of American Music, Norfolk Chamber Music Festival, Ojai Music Festival, and Tanglewood Music Center. Special performances include the 2016 Joy in Singing’s Edward T. Cone Composers Concert at New York’s Lincoln Center, a 2015 Holy Week meditation service at London’s St. Paul’s Cathedral, and a 2013 performance at New York’s Morgan Library & Museum as part of Dawn Upshaw’s First Songs project. Hall received a 2015 recording grant from the Sorel Organization, and SongFest awarded her their 2017 Sorel Commission. In 2018 she was the Guest Composer at Stephanie Blythe’s Fall Island Vocal Arts Seminar and Resident Composer for CollabFest at the University of North Texas School of Music.
Nkosi sikelel' iAfrika
Nkosi sikelel' iAfrika
Enoch Mankayi Sontonga, arr. Valerie Coleman
Valerie Coleman
Described as one of the "Top 35 Female Composers in Classical Music" by critic Anne Midgette of the Washington Post, Valerie Coleman (B. 1970) is among the world's most played composers living today. Whether it be live or via radio, her compositions are easily recognizable for their inspired style and can be throughout venues, institutions and competitions globally. The Boston Globe describes Coleman as a having a “talent for delineating form and emotion with shifts between ingeniously varied instrumental combinations” and The New York Times observes her compositions as “skillfully wrought, buoyant music”. With works that range from flute sonatas that recount the stories of trafficked humans during Middle Passage and orchestral and chamber works based on nomadic Roma tribes, to scherzos about moonshine in the Mississippi Delta region and motifs based from Morse Code, her body of works have been highly regarded as a deeply relevant contribution to modern music. A native of Louisville, Kentucky, Valerie began her music studies at the age of eleven and by the age of fourteen, had written three symphonies and won several local and state performance competitions. She is the founder, creator, and former flutist of the Grammy® nominated Imani Winds, one of the world’s premier chamber music ensembles, and is currently an Assistant Professor of Performance, Chamber Music, and Entrepreneurship at the University of Miami. Through her creations and performances, Valerie has carved a unique path for her artistry, while much of her music is considered to be standard repertoire. She is perhaps best known for UMOJA, a composition that is widely recognized and was listed by Chamber Music America one of the “Top 101 Great American Ensemble Works”. ​Coleman has received commissions from Carnegie Hall, American Composers Orchestra, The Library of Congress, the Collegiate Band Directors National Association, Chamber Music Northwest, Virginia Tech University, Virginia Commonwealth University, National Flute Association, West Michigan Flute Society, Orchestra 2001, The San Francisco Chamber Orchestra, The Brooklyn Philharmonic, The Flute/Clarinet Duos Consortium, Hartford Symphony Orchestra, Chamber Music Northwest, and the Interlochen Arts Academy to name a few. With over two decades of conducting masterclasses, lectures and clinics across the country, Valerie is a highly sought-after clinician and recitalist. Recently, she has immensely enjoyed being the featured guest artist of flute fairs around the country, such as Mid-South, South Carolina, Colorado, New Jersey, and Mid-Atlantic, and was also featured as an artist in residence at Boston University Tanglewood Institute, LunArts Festival, and the National Women's Music Festival. Future appearances include Florida Flute Society, Portland, Seattle, Long Island and North Carolina Flute Fairs, and residencies at Yale, University of North Dakota, Virginia Tech, and many more. With her ensemble, she was recently an artist-in-residence at Mannes College of Music, served on the faculty of Banff Chamber Music Intensive and was a visiting lecturer at the University of Chicago. She is regularly featured as a performer and composer within many of the world’s great concert venues, series and conservatories: Carnegie Hall, Lincoln Center, Kennedy Center, Walt Disney Hall, DaCamera Houston, Boston Celebrity Series, Krannert Center, Wigmore Hall, Montreal Jazz Festival, North Sea Jazz Festival, Paris Jazz Festival, The Juilliard School, The Eastman School, Curtis, Peabody, Mannes, The Colburn School and countless more. She has recorded with Wayne Shorter, Paquito D’Rivera, Jason Moran, Steve Coleman, Vijay Iyer, Stefon Harris, Chick Corea and more. She and her ensemble have enjoyed collaborations with Gil Kalish, Paula Robison, Yo-Yo Ma, Anne Marie McDermott, Alexa Still, Ani and Ida Kavafian, David Shifrin, Wu Han, Simon Shaheen, Sam Rivers and many more. Her music is frequently “on the air" with National and local Classical radio stations and their affiliates: Sirius XM, NPR’s Performance Today, All Things Considered, and The Ed Gordon Show; WNYC’s Soundcheck, and MPR’s Saint Paul Sunday. She has received awards and/or honors from the National Flute Association, The Herb Alpert Awards, MAPFUND, ASCAP Concert Music Awards, NARAS, Chamber Music Society of Lincoln Center, Edward and Sally Van Lier Fund, Artists International, Wombwell Kentucky Award, and Michelle E. Sahm Memorial Award to name a few. Valerie is known among educators to be a strong advocate and mentoring source for emerging artists and ensembles around the country. In 2011, she created a summer mentorship program in New York City for highly advanced collegiate and post-graduate musicians, called Imani Winds Chamber Music Festival. Now in it’s 9th season, the festival has welcomed musicians from over 100 institutions both national and abroad. ​Her works are published by Theodore Presser, International Opus, and her own company, V Coleman Music. Her music can be heard on labels: Cedille Records, BMG France, Sony Classics, Eone (formerly Koch International Classics) and Naxos.
With Eyes Open - Ingrid Stolzel
With Eyes Open
Ingrid Stölzel
Ingrid Stölzel
Composer Ingrid Stölzel (b. 1971) has been described as having “a gift for melody” (San Francisco Classical Voice) and “evoking a sense of longing” that creates “a reflective and serene soundscape that makes you want to curl up on your windowsill to re-listen on a rainy day.” (I Care If You Listen) Stölzel’s compositions have been commissioned by leading soloists and ensembles, and performed in concert halls and festivals worldwide, including the Seoul Arts Center, Merkin Concert Hall, Kennedy Center, the Thailand International Composition Festival, Festival Osmose (Belgium), Vox Feminae Festival (Israel), Dot the Line Festival (South Korea), Ritornello Chamber Music Festival (Canada), Festival of New Music at Florida State (USA), Beijing Modern Music Festival (China), Festival of New American Music (USA), and SoundOn Festival of Modern Music (USA). Her music has been recognized in numerous competitions, among them recently the Suzanne and Lee Ettelson Composer's Award, Red Note Composition Competition, the Robert Avalon International Competition for Composers, and the Kaleidoscope Chamber Orchestra Competition. Recordings of her music can be found on various commercial releases including her portrait album “The Gorgeous Nothings” which features her chamber and vocal chamber music. Stölzel was born and raised in Germany and has resided in the United States since 1991. She holds a DMA in composition from the University of Missouri, Conservatory of Music and Dance in Kansas City and a Master of Music in composition from the Hartt School of Music in Hartford, CT. She serves on the composition faculty at the University of Kansas School of Music.
Hexis - George E. Lewis
Hexis
George E. Lewis
Mnemosis - George E. Lewis
Mnemosis
George E. Lewis
The Will to Adorn - George E. Lewis
The Will to Adorn
George E. Lewis
George E. Lewis
George E. Lewis is the Edwin H. Case Professor of American Music at Columbia University. A Fellow of the American Academy of Arts and Sciences and a Corresponding Fellow of the British Academy, Lewis’s other honors include a MacArthur Fellowship (2002), a Guggenheim Fellowship (2015), a United States Artists Walker Fellowship (2011), an Alpert Award in the Arts (1999), and fellowships from the National Endowment for the Arts. Lewis studied composition with Muhal Richard Abrams at the AACM School of Music, and trombone with Dean Hey. A member of the Association for the Advancement of Creative Musicians (AACM) since 1971, Lewis's work in electronic and computer music, computer-based multimedia installations, and notated and improvisative forms is documented on more than 150 recordings. His work has been presented by the BBC Scottish Symphony Orchestra, London Philharmonia Orchestra, Radio-Sinfonieorchester Stuttgart, Mivos Quartet, Boston Modern Orchestra Project, London Sinfonietta, Spektral Quartet, Talea Ensemble, Dinosaur Annex, Ensemble Dal Niente, Ensemble Pamplemousse, Wet Ink, Ensemble Erik Satie, Eco Ensemble, and others, with commissions from American Composers Orchestra, International Contemporary Ensemble, Harvestworks, Ensemble Either/Or, Orkestra Futura, Turning Point Ensemble, Studio Dan, San Francisco Contemporary Music Players, 2010 Vancouver Cultural Olympiad, IRCAM, Glasgow Improvisers Orchestra, and others.
Strum - Jessie Montgomery
Strum
Jessie Montgomery
Mesoamerican Suite - Lauren Bernofsky
Mesoamerican Suite
Lauren Bernofsky
Composition No. 358
Anthony Braxton
Composition No. 255
Anthony Braxton
Legends of Olympus
Stacy Garrop
Pieces of Sanity - Stacy Garrop
Pieces of Sanity
Stacy Garrop
Composition No. 305 - Anthony Braxton
Composition No. 305
Anthony Braxton
Composition No. 304 - Anthony Braxton
Composition No. 304
Anthony Braxton
Duo for Violin and Cello - Jessie Montgomery
Duo for Violin and Cello
Jessie Montgomery
Break Away - Jessie Montgomery
Break Away
Jessie Montgomery
Rhapsody No. 1 - Jessie Montgomery
Rhapsody No. 1
Jessie Montgomery