Items

• Duo Leat

  Chaya Czernowin
• Chaya Czernowin

  Chaya Czernowin was born and brought up in Israel. After her studies in Israel, at the age of 25, she continued studying in Germany (DAAD grant), the US, and then was invited to live in Japan (Asahi Shimbun Fellowship and American NEA grant) Tokyo, in Germany (a fellowship at the Akademie Schloss Solitude) and in Vienna. Her music has been performed throughout the world, by some of the best orchestras and performers of new music, and she has held a professorship at UCSD, and was the first woman to be appointed as a composition professor at the University of Music and Performing Arts in Vienna, Austria (2006–2009), and at Harvard University, USA (2009 and on) where she has been the Walter Bigelow Rosen Professor of Music. Together with Jean-Baptiste Jolly, the director of Akademie Schloss Solitude near Stuttgart and with composer Steven Kazuo Takasugi, she has founded the summer Academy at Schloss Solitude, a biannual course for composers. Takasugi and Czernowin also teach at Tzlil Meudcan, an international course based in Israel founded by Yaron Deutsch of Ensemble Nikel. “Vital, visceral, wild and undefined as experience itself – can music be that? I have heard such music, rarely, but, it has changed my life. Attempting to work towards it, though, is a difficult balancing act: one must be as sensually sensitive as if one has no skin, while exercising the analytical clarity, precision and focus of holding a surgeon’s knife.” — CHAYA CZERNOWIN Czernowin’s output includes chamber and orchestral music, with and without electronics. Her works were played in most of the significant new music festival in Europe and also in Japan Korea, Australia, US and Canada. She composed 3 large scale works for the stage: Pnima...ins Innere (2000, Munich Biennale) chosen to be the best premiere of the year by Opernwelt yearly critic survey, Adama (2004/5) with Mozart's Zaide (Salzburg Festival 2006) Adama has a second version written with Ludger Engles, with an added choir which was presented in Freiburg Stadttheater (2017). The opera Infinite Now was written in 2017. The piece, combines/ superimposes materials of the first world war (Luk Perceval theater piece "FRONT") with the short story Homecoming by Can Xue. Also this opera was chosen as the premier of the year in the international critics survey of Opernwelt. Czernowin was appointed Artist in residence at the Salzburg Festival in 2005/6 and at the Lucern Festival, Switzerland in 2013. Characteristic of her work are working with metaphor as a means of reaching a sound world which is unfamiliar; the use of noise and physical parameters as weight, textural surface (as in smoothness or roughness etc), problematization of time and unfolding and shifting of scale in order to create a vital, visceral and direct sonic experience. all this with the aim of reaching a music of the subconscious which goes beyond style conventions or rationality. In addition to numerous other prizes, Czernowin represented Israel at Uncesco composer's Rostrum 1980; was awarded the DAAD scholarship ('83–85); Stipendiumpreis ('88) and Kranichsteiner Musikpreis ('92), at Darmstadt Fereinkurse; IRCAM (Paris) reading panel commission ('98); scholarships of SWR experimental Studio Freiburg ('98, '00, '01 etc); The composer’s prize of Siemens Foundation ('03); the Rockefeller Foundation, ('04); a nomination as a fellow to the Wissenschaftkolleg Berlin ('08); Fromm Foundation Award ('09); and Guggenheim Foundation fellowship ('11); Heidelberger Kunstlerinen Preis ('16); The WERGO portrait CD The Quiet (5 orchestral pieces) has been awarded the Quarterly German Record Critics’ Award ('16 ). She was chosen as a member of the Akademie der Kuenste in Berlin in 2017. Czernowin's work is published by Schott. Her music is recorded on Mode records NY, Wergo, Col Legno, Deutsche Gramophone, Kairos, Neos, Ethos, Telos and Einstein Records. She lives near Boston with composer Steven Kazuo Takasugi.
• Nuevos estudios sencillos

  Leo Brouwer
• Judith Weir

  Judith Weir was born into a Scottish family in 1954, but grew up near London. She was an oboe player, performing with the National Youth Orchestra of Great Britain, and studied composition with John Tavener during her schooldays. She went on to Cambridge University, where her composition teacher was Robin Holloway; and in 1975 attended summer school at Tanglewood, where she worked with Gunther Schuller. After this she spent several years working in schools and adult education in rural southern England; followed by a period based in Scotland, teaching at Glasgow University and RSAMD. During this time she began to write a series of operas (including King Harald’s Saga, The Black Spider, A Night at the Chinese Opera, The Vanishing Bridegroom and Blond Eckbert) which have subsequently received many performances in the UK, Germany, Austria, the Netherlands, Belgium and the USA. The most recent opera is Miss Fortune, premiered at Bregenz in 2011, and then staged at the Royal Opera House Covent Garden in 2012. As resident composer with the City of Birmingham Symphony Orchestra in the 1990s, she wrote several works for orchestra and chorus (including Forest, Storm and We are Shadows) which were premiered by the orchestra’s then Music Director, Simon Rattle. She has been commissioned by the Boston Symphony Orchestra (Music Untangled and Natural History) the Minnesota Orchestra (The Welcome Arrival of Rain) and the London Sinfonietta (Tiger under the Table); and has written concert works for some notable singers, including Jane Manning, Dawn Upshaw, Jessye Norman and Alice Coote. Her latest vocal work is Good Morning, Midnight, premiered by Sarah Connolly and the Aurora Orchestra in May 2015. She now lives in London, where she has had a long association with Spitalfields Music Festival; and in recent years has taught as a visiting professor at Princeton, Harvard and Cardiff universities. Honours for her work include the Critics’ Circle, South Bank Show, Elise L Stoeger and Ivor Novello awards, a CBE (1995) and the Queen’s Medal for Music (2007). In 2014 she was appointed Master of The Queen’s Music in succession to Sir Peter Maxwell Davies. In January 2015 she became Associate Composer to the BBC Singers. Much of her music has been recorded, and is available on the NMC, Delphian and Signum labels. In 2014-15 there were releases of The Vanishing Bridegroom (NMC) and Storm (BBC Singers/Signum). Judith Weir’s music is published by Chester Music and Novello & Co. She blogs about her experiences of cultural life in the UK at judithweir.com.
• Ann Carr-Boyd

  Ann Carr-Boyd is an internationally acclaimed Australian composer whose music is truly Australian, but embraces her close connection with European music through her family of professional musicians from Bohemia. Her musical style is often classed as ‘chameleon’ and is the outcome of this inheritance. The European influence is evident in her music which is recognised for its romantic harmonies, adherence to classical form and Australian inspiration. Her works have been performed at many landmark events, including: “The Bells of Sydney Harbour”, composed for the opening of the new Ron Sharp organ in the Sydney Opera House. “Images of Australia”, composed for the ABC television documentary marking the bicentenary of European settlement in Australia. The orchestral work “Look at the Stars”, performed by the Australian Youth Orchestra at the opening of the new Parliament House in Canberra. “Beneath the Yellow Moon” in the ABC Classic FM radio series “Images of our Times”. These landmark events, plus the constant presence of her music in radio broadcasts and concerts and the popularity of such works as Fandango for mandolins, have made her music well known and loved. For the last 20 years Ann’s piano, flute, cello and other instrumental music have been part of the Australian Music Examinations Board (AMEB) syllabus.
• High Way for One

  Adriana Hölszky
• Snowbirds (Like a Bird II): Hommage à György Kurtág

  Adriana Hölszky
• Like a Bird: Hommage à György Kurtág

  Adriana Hölszky
• Adriana Hölszky
• Kaija Saariaho

  Kaija Saariaho is a prominent member of a group of Finnish artists who are making a worldwide impact. She studied in Helsinki, Fribourg and Paris. At IRCAM, Saariaho developed techniques of computer-assisted composition and acquired fluency in working on tape and with live electronics. This experience influenced her approach to writing for orchestra, with its emphasis on the shaping of dense masses of sound in slow transformations. Significantly, her first orchestral piece, Verblendungen (1984), involves a gradual exchange of roles and character between orchestra and tape. And even the titles of her, linked, pair of orchestral works, Du Cristal (1989) and …à la Fumée (1990) suggest her preoccupation with colour and texture. Although much of her catalogue comprises chamber works, she has turned increasingly to larger forces and broader structures, such as Orion (2004), Laterna Magica (2008), Circle Map (2008). The detailed notation using harmonics, microtonaly and detailed continuum of sound extending from pure tone to unpitched noise – all features found in one of her most frequently performed works, Graal Théâtre for violin and orchestra (1994). Her catalogue also includes Aile du songe (2001), Notes on Light (2006), D’OM LE VRAI SENS (2010), Maan Varjot (2014). In 2015, Gerald Finley and Los Angeles Philharmonic Orchestra, conducted by Gustavo Dudamel, premier True Fire for baritone and orchestra. From later nineties, Saariaho has turned to opera, with outstanding success: L’Amour de Loin (2000), Adrian Mater (2006), Emilie (2010) and the oratorio La Passion de Simone (2006). Her opera Only the Sound Remains was premiered in March 2016 at The Dutch National Opera. Other performances will follow in Paris, Helsinki, Madrid and Toronto. Saariaho has claimed the major composing awards: Grawemeyer Award, Wihuri Prize, Nemmers Prize, Sonning Prize, Polar Music Prize. In 2015 she was the judge of the Toru Takemitsu Composition Award. Kaija Saariaho’s harp concerto Trans was premiered in August 2016 by Xavier de Maistre and The Tokyo Symphony Orchestra, conducted by Ernest Martinez-Izquierdo at the Suntory Hall, Tokyo.
• Jasper Drag

  Alvin Singleton
• Ishirini

  Alvin Singleton
• Sweet Chariot

  Alvin Singleton
• Alvin Singleton

  Alvin Singleton was born in Brooklyn, New York and attended New York University and Yale. As a Fulbright Scholar, he studied with Goffredo Petrassi at Accademia Nazionale di Santa Cecilia in Rome, Italy. After living and working in Europe for fourteen years, Singleton returned to the United States to become Composer-in-Residence with the Atlanta Symphony Orchestra (1985-88). He subsequently served as Resident Composer at Spelman College in Atlanta (1988-91), as UNISYS Composer-in-Residence with the Detroit Symphony Orchestra (1996-97), and was the 2002–03 Composer-in-Residence with the Ritz Chamber Players of Jacksonville, Florida. In addition, he has served as Visiting Professor of Composition at the Yale University School of Music. Singleton has amassed numerous awards throughout his compositional life. He is the recipient of a 2003 Guggenheim Fellowship and was commissioned by The Serge Koussevitsky Music Foundation and American Composers Orchestra for the orchestral work When Given a Choice, which premiered at Carnegie Hall in April 2004. His other awards include the Kranichsteiner Musikpreis by the City of Darmstadt, Germany, twice the Musikprotokoll Kompositionpreis by the Austrian Radio, the Mayor’s Fellowship in the Arts Award by the City of Atlanta, and a grant from the National Endowment for the Arts. Also in Spring 2004, Singleton joined the American Composers Orchestra as “Music Alive” Composer-in-Residence and Artistic Advisor for the IMPROVISE! Festival. Singleton has composed music for theatre, orchestra, solo instruments, and a variety of chamber ensembles. TRUTH, a work for chorus, ensemble and dance based on the life of Sojourner Truth, was premiered in 2006 at the Ordway Center for the Performing Arts in St. Paul, Minnesota by the VocalEssence Ensemble Singers and TU Dance. His music is published by Schott Music Corporation, and is recorded on the Albany Records, Elektra/Nonesuch, First Edition, Tzadik, and Innova labels. Singleton’s latest CD “Sing to the Sun” was released in February 2007 on Albany Records and is the fourth all-Singleton disc. His recent work, Through It All, was commissioned by The ASCAP Foundation and Spivey Hall, and was premiered by the Grammy-nominated ensemble Imani Winds in February 2008. In October, 2008, Singleton served as Composer-in-Residence in Tirana, Albania. He was invited by the cultural organization Eurynome Corp., who presented the Albanian premieres of selected works performed by the Orchestra of Albanian Radio and Television conducted by Oleg Arapi. Singleton also conducted a Masterclass at the Fine Arts Academy in Tirana. In November, 2008 Singleton's Brooklyn Bones, written in commemoration of the Fort Greene Park Prison Ship Martyrs Monument and setting an original text by Patricia Hampl, received its world premiere at the Brooklyn Technical High School in New York City, performed by the Monmouth Civic Chorus and Orchestra, tenor Cameron Smith, and conducted by Mark Shapiro. His compositions have been performed by the symphony orchestras of Boston, Pittsburgh, Houston, Cincinnati, Atlanta, Cleveland, Philadelphia, Detroit, Oregon, Baltimore, Syracuse, Louisville, and Florida, the American Composers Orchestra, the Rotterdam Philharmonic, l’Orchestre de Paris, das Guerzenich-Orchester Koelner Philharmoniker and also the Kronos Quartet, the Chamber Music Society of Lincoln Center, the Nash Ensemble of London, the Asko Ensemble of Amsterdam, Ensemble des 20. Jahrhunderts of Vienna, the London Sinfonietta, Trio Basso of Cologne and the Bremer Tanztheater. Important international festivals have also programmed Singleton’s music. They include Chamber Music Northwest in Portland, OR, Tanglewood, Aspen, Bravo! Colorado, Music from Angel Fire in New Mexico, Cincinnati May Festival, Cabrillo Music Festival, Bang On A Can, the National Black Arts Festival in Atlanta, Other Minds in San Francisco, Festival Miami, the Vienna Summer Festival, Pro Musica Nova in Bremen, the Styrian Autumn Festival in Graz, Nuova Consonanza Festival in Rome, the Brussels ISCM World music Days, and IRCAM in Paris.
• Threnody

  Nicola LeFanu
• Sea Sketches

  Nicola LeFanu
• A Phoenix for Carla

  Nicola LeFanu
• Nicola LeFanu

  Nicola LeFanu was born in England in 1947, the daughter of Irish parents: her father William LeFanu was from an Irish literary family, and her mother was the composer Elizabeth Maconchy. LeFanu studied at Oxford, RCM and, as a Harkness Fellow, at Harvard. She has Honorary Doctorates from the Universities of Durham, Aberdeen, and Open University, is an Honorary Fellow of St Hilda’s College Oxford, and is FRCM and FTCL. She has composed around one hundred works which have been played and broadcast all over the world; her music is published by Novello and by Peters Edition Ltd. She has been commissioned by the BBC, by festivals in UK and beyond, and by leading orchestras, ensembles and soloists. Many works are available on CD, including music for strings (Naxos), Horn Concerto (NMC) and Saxophone Concerto (NEOS). She has a particular affinity for vocal music and has composed eight operas: Dawnpath (New Opera Company, London, 1977), The Story of Mary O’Neill, a radio opera, libretto Sally McInerney, (BBC, 1987), The Green Children, a children’s opera, libretto Kevin Crossley-Holland, (Kings Lynn Festival, 1990), Blood Wedding, libretto Deborah Levy (WPT, London 1992), The Wildman, libretto Crossley-Holland, (Aldeburgh Festival, 1995), Light Passing, libretto John Edmonds, (BBC/NCEM, York, 2004), Dream Hunter, libretto John Fuller (Lontano, Wales 2011, London 2012) and Tokaido Road, a Journey after Hiroshige, libretto Nancy Gaffield, (Okeanos, Cheltenham Festival, July 2014.) She is active in many aspects of the musical profession, as composer, teacher, director and as a member of various public boards and new music organisations. From 1994–2008 she was Professor of Music at the University of York, where many gifted composers came to study with her. Previously she taught composition at Kings' College London; in the 1970s, she directed Morley College Music Theatre. In 2015 she was awarded the Elgar bursary, which carries a commission from the Royal Philharmonic Society. In 2017 she was BBC Radio 3 ‘Composer of the Week’. Recent premieres include works for chamber ensemble, with or without voice, for solo instrumentalists, and for orchestra. Threnody was premiered in Dublin in 2015 (RTE NSO) and The Crimson Bird, the RPS commission, at the Barbican, London, in 2017. BBCSO/Ilan Volkov with Rachel Nicholls, soprano soloist.
• Hin-Nun II / White Snow

  Younghi Pagh-Paan
• Warte nur (gi-da-ryu-ra)

  Younghi Pagh-Paan
• Fanfare

  Younghi Pagh-Paan
• Louise Labé

  Younghi Pagh-Paan
• Unterm Sternenlicht

  Younghi Pagh-Paan
• I Thirst

  Younghi Pagh-Paan