Shining a Light

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Title
Shining a Light

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  • Ravvedimento - Sofia GubaidulinaRavvedimento
    Sofia Gubaidulina
  • Repentance - Sofia GubaidulinaRepentance
    Sofia Gubaidulina
  • Reflections on the Theme BACH - Sofia GubaidulinaReflections on the theme BACH
    Sofia Gubaidulina
  • So Sei Es (So Be It)
    Sofia Gubaidulina
  • Pilgrims
    Sofia Gubaidulina
  • Sofia Gubaidulina
    Sofia Gubaidulina was born in Chistopol in the Tatar Republic of the Soviet Union in 1931. After instruction in piano and composition at the Kazan Conservatory, she studied composition with Nikolai Peiko at the Moscow Conservatory, pursuing graduate studies there under Vissarion Shebalin. Until 1992, she lived in Moscow. Since then, she has made her primary residence in Germany, outside Hamburg. Gubaidulina made her first visit to North America in 1987 as a guest of Louisville's "Sound Celebration." She has returned many times since as a featured composer of festivals — Boston's "Making Music Together" (1988), Vancouver's "New Music" (1991), Tanglewood (1997), Marlboro (2016) — and for other performance milestones. From the retrospective concert by Continuum (New York, 1989) to the world premieres of commissioned works — Pro et Contra by the Louisville Orchestra (1989), String Quartet No. 4 by the Kronos Quartet (New York, 1994), Dancer on a Tightrope by Robert Mann and Ursula Oppens (Washington, DC, 1994), the Viola Concerto by Yuri Bashmet with the Chicago Symphony conducted by Kent Nagano (1997), Two Paths ("A Dedication to Mary and Martha") for two solo violas and orchestra, by the New York Philharmonic conducted by Kurt Masur (1999), and Light of the End by the Boston Symphony Orchestra under Masur (2003) — the accolades of American critics have been ecstatic.
  • Ivory and Ebony - Joan TowerIvory and Ebony
    Joan Tower
  • Copperwave - Joan TowerCopperwave
    Joan Tower
  • String Force - Joan TowerString Force
    Joan Tower
  • Steps
    Joan Tower
  • White Granite - Joan TowerWhite Granite
    Joan Tower
  • Rising - Joan TowerRising
    Joan Tower
  • For Marianne
    Joan Tower
  • Descending
    Joan Tower
  • Up High
    Joan Tower
  • Dumbarton Quintet - Joan TowerDumbarton Quintet
    Joan Tower
  • Power Dance - Joan TowerPower Dance
    Joan Tower
  • Second String Force - Joan TowerSecond String Force
    Joan Tower
  • Joan Tower
    Joan Tower is widely regarded as one of the most important American composers living today. During a career spanning more than fifty years, she has made lasting contributions to musical life in the United States as composer, performer, conductor, and educator. Her works have been commissioned by major ensembles, soloists, and orchestras, including the Emerson, Tokyo, and Muir quartets; soloists Evelyn Glennie, Carol Wincenc, David Shifrin, Paul Neubauer, and John Browning; and the orchestras of Chicago, New York, St. Louis, Pittsburgh, Baltimore, Nashville, Albany NY, and Washington DC among others. In 2019 the League of American Orchestras awarded her its highest honor, the Gold Baton, at the League's 74th national conference. Tower is the first composer chosen for a Ford Made in America consortium commission of sixty-five orchestras. Leonard Slatkin and the Nashville Symphony recorded Made in America in 2008 (along with Tambor and Concerto for Orchestra). The album collected three Grammy awards: Best Contemporary Classical Composition, Best Classical Album, and Best Orchestral Performance. Nashville’s latest all-Tower recording includes Stroke, which received a 2016 Grammy nomination for Best Contemporary Classical Composition. In 1990 she became the first woman to win the prestigious Grawemeyer Award for Silver Ladders, a piece she wrote for the St. Louis Symphony where she was Composer-in-Residence from 1985-88. Other residencies with orchestras include a 10-year residency with the Orchestra of St. Luke's (1997-2007) and the Pittsburgh Symphony (2010-11). She was the Albany Symphony’s Mentor Composer partner in the 2013-14 season. Tower was cofounder and pianist for the Naumburg Award winning Da Capo Chamber Players from 1970-85. She has received honorary doctorates from Smith College, the New England Conservatory, and Illinois State University. She is Asher Edelman Professor of Music at Bard College, where she has taught since 1972.
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937–960 of 1091